Two versions exist of a poem I once wrote. One, when I was sixteen. And the other when I was eighteen.
The first:
the fireflies are sleeping
the moon is joyful yet
the weeping willows weeping
these feelings that I’ve kept
all bottled up and ready
to be set out to sea
they’ll crash upon the jetty
and they’ll call you to me
you’ll awaken from your slumber
and walk down to the shore
sleepy feet be not encumbered
by that midnight ocean roar
for when we have crossed ways
i’ll wrap you up real tight
i’ll whisper to the gentle waves
call to the starless night
we’ll gaze into the depthless blue
splay fingers to the breeze
and in the sand I’ll write ‘I miss you’
for those bright green eyes to see
And now, the second:
the sleeping bugs and crescent moon
call sea to shore and me to you
with bated breath, I call your name
and sit alone- I sit alone
into the breeze I cry, unheard
six letters scorned by acrid words
by lust and greed
by selfish need
i call your name
into the sea
i call your name,
call you to me
and in my mind, we have crossed ways
sit leg to leg, turned to the waves
we gaze into the green blue grey
and as I reach, you pull away
you rise and walk into the sea
i call your name, call you to me
with tear stained hand I write- I write
‘I vow upon this sacred night
that I have loved with love so white’
and as these words
escape my mind
the mad black see
becomes inclined
to sweep across the grainy sand
and wipe my words into the bend
between pale sky and hazy sea
and snaps me from my reverie.
I maintain that poetry should be left unedited- and if it is, the original piece should be retained somewhere. Poetry is the greatest time capsule of all. I remember how I felt when I was sixteen, writing that poem, sick with love and idealism. I remember being eighteen as well, cynical and scorned and imbued with new perspective. And although I went back and rewrote the poem, I wanted to keep the original. I enjoyed its optimistic simplicity. Going back now, at twenty years old, I can write yet another completely different version. Life is continuous growth. And for a writer- or any person really- growth means shift in perspective, seeing retrospectively, changing long held opinions. Life is continuous and continuity is growth. So don’t edit your poetry. Leave it be. The words you used, the emotions you felt, your structure and cadence were all reflective of how you were feeling in those moments in which you scribbled it down or furiously typed it up- tear stained eyes, shaking hand and all. Journals are like photo albums: the pictures can be retaken later but they can never be replicated exactly as they were. So be kind to yourself, and honor the feelings the poetry of your past was trying to convey.
Signing off,
Sophie S.
